| Discussion | Author | Date | Category | ||
|---|---|---|---|---|---|
| Read |
Refuge for incompetence |
|
Techniques: Draughtsmanship | ||
| Read |
Refuge for incompetence |
|
Techniques: Draughtsmanship | ||
| Read |
Reshaping an art department |
|
Academia and Modernism | ||
| Read |
Rubens' Painting Technique |
|
Techniques: Oil Painting | ||
| Read |
Rubens studies at Berkeley |
|
Exhibitions | ||
| Read |
Salvador Dali on Cèzanne |
|
Modernist Heroes Reconsidered | ||
| Read |
Scientists and artists |
|
Art's Place in Society | ||
| Read |
Selective Focus |
|
Techniques: Oil Painting | ||
| Read |
Self-paced study program ... |
|
Advice to Artists | ||
| Read |
Self-paced study program ... |
|
Advice to Artists | ||
| Read |
'Sinking' darks on a Claessens ground |
|
Technical questions discussed and answered | ||
| Read |
Speaking of 'Girl With a Pearl Earing' ... |
|
Hockney Completely Refuted | ||
| Read |
Still Life, Photography? |
|
Techniques: Oil Painting | ||
| Read |
Teaching abstraction |
|
College Curricula | ||
| Read |
Teaching, Style, and the Avant Garde |
|
Academia and Modernism | ||
| Read |
The basis for a points system |
|
Juries and Competitions | ||
| Read |
The Gates of Christo |
|
Modernist Heroes Reconsidered | ||
| Read |
The influence of philosophy on art history |
|
Aesthetics | ||
| Read |
The light of Sargent and Vermeer |
|
Setting up the Studio | ||
| Read |
The responsibility of the artist |
|
College Activism: Return to Realism | ||
| Read |
The use of the grid |
|
Techniques: Oil Painting | ||
| Read |
The use of the grid |
|
Techniques: Oil Painting | ||
| Read |
The Value of Varnish |
|
Technical questions discussed and answered | ||
| Read |
Then and now |
|
Art's Place in Society | ||
| Read |
Thinking and doing |
|
Aesthetics |
